Slavery
and conspiracy in old N.Y.
Jill Lepore tells how a series of unexplained fires
in 18th century Manhattan set off a tragic human inferno
By Ken Gewertz
Harvard News Office
Jill
Lepore calls it "one of the saddest, most tragic stories I've
ever come across. And it's even sadder because no one's ever heard
about it."
The
story concerns a succession of fires that broke out in New York
City in the winter of 1741. Fires were not uncommon occurrences
in cities built largely of wood where open flames provided both
heat and light and where the most common method of firefighting
was the bucket brigade. But there were so many fires in such a short
period of time that New Yorkers suspected arson, and, based on some
rather flimsy evidence, suspicion fell on the city's slaves.
The
colony's authorities rounded up hundreds of blacks, all but a few
of whom were slaves. Of these, 30 were convicted of a conspiracy
to burn down the city, kill the whites, and set up a revolutionary
government. Thirteen of them were burned at the stake and 17 were
hanged. In addition, four whites, allegedly the ringleaders of the
plot, were hanged, and seven more were exiled from the colony.
Lepore,
a professor of history, has taught the incident in her course "Liberty
and Slavery: The History of an American Paradox."
"It's
great for teaching," she said, "because it's apparent
that something very dramatic is going on, but it's very difficult
to understand just what happened. It's a lesson on what the sources
can and can't tell you."
But
Lepore, whose primary interest as a historian is understanding "the
stories people tell themselves to justify cruelty," decided
that the material deserved a more thorough analysis. The result
is "New York Burning: Liberty, Slavery, and Conspiracy in Eighteenth
Century Manhattan" (Alfred A. Knopf, 2005).
For
classroom purposes, Lepore had relied chiefly on transcripts of
the trial proceedings and on a self-justifying and probably unreliable
memoir of the incident by the city prosecutor Daniel Horsmanden.
But for the book, she decided a deeper historical context was needed.
She went about assembling a database on New York in 1741, including
race, ethnicity, tax rolls, political affiliations, real estate
holdings, personal wealth, and court records. She correlated this
information with contemporary maps of the city, allowing her to
reconstruct a mid-18th century New York in all its most important
details.
This
exercise gave Lepore insights into the nature of 18th century New
York society that she would not have achieved otherwise. For one
thing, it made her realize how different the institution of slavery
was in a city like New York compared with the plantation-based slavery
of the South.
"It's
almost impossible to deny people liberty without denying them mobility,
and in New York, almost everything the slaves did involved moving
from place to place. This made it very difficult to exert control."
This
situation increased the white population's anxiety about slave uprisings,
which were not unknown in the American colonies. In 1733, a group
of slaves took control of the Danish island of St. John and held
it for six months. Also in the 1730s, a large body of slaves in
Jamaica rebelled against their masters and was so successful that
the British were finally forced to sign a peace treaty with them.
New York had seen violence as well. In 1712, slaves set fire to
a building, then attacked the whites who tried to put out the blaze,
killing nine.
One
of the stories Englishmen told themselves at this time was that
slaves were property and that the ownership and enjoyment of property
was a right to which every freeborn English citizen was entitled.
And yet, Lepore said, there were questions about whether this principle
was consistent with Christian principles, questions that allowed
fears of slave uprisings to increase to a disproportionate degree.
Was
there a slave conspiracy in New York in 1741? This is a question
Lepore has still not been able to answer definitively. It is quite
possible that some of the fires were deliberately set, she believes,
but Horsmanden's scenario of a citywide conspiracy was almost certainly
a fabrication.
Among
the most interesting parts of the book are the similarities Lepore
highlights between the alleged plot, which was supposedly hatched
at a tavern belonging to a shady character named Hughson, and the
rituals enacted in gentlemen's clubs of the period. The 18th century
was an era of conspiracies, Lepore contends, some of them serious
attempts to overthrow the power structure and others merely diversions
accompanied by drinking and merriment. Which category the events
of 1741 fall into is still anyone's guess.
Ultimately,
Lepore, whose first book, "The Name of War: King Philip's War
and the Origins of American Identity" won the 1999 Bancroft
Prize, does not bring forensic certainty to the mysteries that still
hover around this disturbing but little-known incident. However,
she does present a fascinating and highly readable portrait of a
colonial society still looking toward England for order and identity
and yet riven by pervasive fears and tensions.
The
story might have been a more satisfying one if she had wrapped the
case up once and for all, Lepore said - but the evidence would not
have justified such a conclusion.
"The past like the present is messy and complicated,"
she said. "I believe it's important to try to reach a broader
group of readers, but not by simplifying what happened."
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